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Light Summer Kimono with Irises - Ayame Yukata

Light Summer Kimono with Irises - Ayame Yukata 菖蒲ゆかた
by Torii Kotondo (1900-1976)

The artworks displayed on JAODB are not for sale.

Artist: Torii Kotondo (1900-1976) 鳥居言人
Title: Light Summer Kimono with Irises - Ayame Yukata 菖蒲ゆかた
Series: 
Date of first edition?1932
Publisher (first edition)?Ikeda 池田
Publisher (this edition)?Ikeda 池田
Medium (first edition): Woodblock
Medium (this edition): Woodblock
Format (first edition): Large Oban
Format (this edition): Large Oban
DB artwork code: 32090
Notes (first edition)?
Artist Kotondo (1900-1976)

Title Ayame Yukata
Dated 1932 (confirmed. Month not yet confirmed).

Limited edition of only 100 prints, after which the blocks were destroyed.
Scene number 6 among 12 Ikeda published scenes.

Publisher Ikeda

Dimensions 19.5 x 11.5

Notes Ayame Yukata means "Cotton Kimono with Iris Pattern".

Reference: The Female Image, 2000, p. 131, pl. 176

Re-issued in the series "Twelve Aspects of Women" circa August 23, 1988.

Note: there are a lot of pre-war examples of this scene that do not have edition numbers. They are sometimes mistakenly listed as being edition 4. See my article about Kotondo edition labels here.
Notes (this edition)?
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:

Wednesday, 27 December 2006

Torii Kotondo, 1900-1976

Ayame Yukata (Cotton Kimono with Iris Pattern)

Signed Kotondo ga followed by square artist's seal Kotondo; the title on the bottom margin, Ayame Yukata. The publisher's printed cartouche on verso, Ikeda hanken shoyu, hyuku mai kagiri zepan (Ikeda, copyright; edition limited to 100), and numbered in stamped English, 11… 100. Undated, published by Ikeda in 1930.

Dai oban tate-e 47.8 by 29.4 cm

Artist Bio: 
Torii Kotondo (or Torii Kiyotada VIII) is renowned for his paintings and shin hanga prints of beautiful women. His woodblock prints, superbly carved and printed, are comparable with those of Hashiguchi Goyo and Ito Shinsui. Kotondo was born with the name Saito Akira in the Nihonbashi district of Tokyo. He was the only son among the five children of Torii Kiyotada, the seventh Torii master. The Torii school had a long tradition of painting and printmaking for the Japanese theater, extending back to the seventeenth century. Kabuki theater was still very popular in the early twentieth century and prints and painted posters were the primary means of publicity. Although Kotondo was mainly interested in studying history and archaeology, it was assumed that he would follow in his father's footsteps and join the Torii school. At age 14, Kotondo agreed to leave school and begin studies with Kobori Tomone, a yamato-e painter. Along with painting classes, Tomone taught Kotondo about the court and military practices of ancient Japan, satisfying his interest in history. A year later, he was officially adopted as the next heir of the Torii school and assumed the artist's name 'Kotondo'. While still studying with Tomone, he began designing illustrations for a theatrical magazine, Engei Gaho ('Entertainment Illustrated Magazine'), and painted kabuki posters and billboards.

Torii Kotondo was the 8th Torii and the 5th Torii Kiyotada. His father was the 4th Kiyotada.

The artworks displayed on JAODB are not for sale.

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.