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| Artist: | Takehisa Yumeji (1884-1934) — 竹久夢二 |
| Title: | The Sea at Home — ふる里の海 |
| Series: | Yumeji Masterpieces — 夢二名作集 |
| Date of first edition?: | 1939 |
| Publisher (first edition)?: | Kato Junji |
| Publisher (this edition)?: | Kato Junji |
| Medium (first edition): | Woodblock |
| Medium (this edition): | Woodblock |
| Format (first edition): | Aiban
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| Format (this edition): | Aiban |
| DB artwork code: | 42500 |
| Notes (first edition)?: |
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| Notes (this edition)?: |
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Title The Sea at Home Town Artist Yumeji Takehisa 1884-1934 Seal Artist's seal. Dated 1939. Publisher Kato Junji. Medium/Technique Woodblock print. Impression Very good. Colors Very good. Condition Very good … light toning. Slight foxing. Margins slightly soiled and lightly creased. Discolorations on the upper left margin corner. Description "Furusato no Umi" (The Sea at Home) . Width Item 10.0 inches = 25.5 cm Height Item 13.3 inches = 33.8 cm |
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| Series Information: |
The majority of Yumeji's woodblock-printed designs were released after his death in 1934. The publisher who was instrumental in having Yumeji's work recognized was the Tokyo-based Katō Junji (1885-1961). During the late 1930s and early 1940s. Katō and his team of artisan block-cutters and printers at the Katō Print Workshop (Katō Print Workshop) (Katō Hanga Kenkyūjo) reused and recalled numerous famous paintings, music scores and watercolours for series of prints and postcards. The thirty woodblock prints in this set are a selection of the most popular cover designs from the over 270 that the artist produced of Seno music scores. Katō Junji personally compiled the set and it reflects what he believed was representative of Yumeji's artistic diversity, ranging from the portrayal of beautiful women and landscapes to this fascination with Western artistic styles. (from The Lavenberg Collection of Japanese Prints). |
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| Artist Bio: |
Takehisa Yumeji (1884-1934) was a leading figure in the Taisho Romanticism movement that combined Western romanticism with native Japanese styles during the Taisho Period (1912-1926). He was a painter, writer, poet, bookbinder and illustrator whose drawings of women with thin bodies and large eyes filled with melancholy were known as Yumeji Bijin-ga. During the height of his popularity he was called the “modern Utamaro” and the Japanese “Toulouse-Lautrec and Edvard Munch”. His prints epitomized the relationship between popular art and the woodblock.
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