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Peshawar

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Peshawar
by Bartlett Charles

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Artist: Bartlett Charles
Title: Peshawar
Series: 
Date of first edition?Not set
Publisher (first edition)?Unknown 不明
Publisher (this edition)?Unknown 不明
Medium (first edition): Woodblock
Medium (this edition): Woodblock
Format (first edition): Oban
Format (this edition): Oban
DB artwork code: 40887
Notes (first edition)?
Notes (this edition)?
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:

Shin Hanga: Peshawar

Artist: Charles Bartlett
Format: Large oban yoko-e: 11.5" x 16" approx

Subject: Peshawar in the extreme north of India. Tribesmen watering their camels within the city walls. Bartlett cleverly uses the shade of the trees to contrast with the city gateway aflame in the setting sun.

As frequently found with this design, unsigned, but with monogramme and title in lower left corner. This example also has Bartlett's personal red circular seal bottom right.

Publisher: Watanabe

Date: c.1920

Condition: Full size. Fine state.

Colour: Fine, luminous colours

Impression: Fine with gauffrage

Artist Bio: 
Charles William Bartlett (1860-1940) was one of the first artists to work with the publisher Watanabe Shozaburo. Bartlett studied at the Royal Academy in London and at Academie Julian in Paris. Until his travels to Japan, Ceylon, Indonesia, and China in 1913, Bartlett worked primarily as a landscape and genre painter. In 1915 he met famous print publisher Watanabe, with whom he collaborated on the publication of a number of "shin hanga" style colour woodblock prints during the next decade, using Watanabe's studio to carve and create his own woodblocks. Bartlett designed 38 woodblock prints for Watanabe, beginning in 1916 and lasting through 1925. Twenty-two of these prints were produced within the first year, many with the date 1916 carved into the key block. The first series of prints consisted of six Indian scenes plus a cover print of the Taj Mahal. This was followed by a series of six Japanese scenes. Many of Bartlett's prints and etchings were scenes from his travels through Southeast Asia, China, and later Hawaii. After 1917, Bartlett settled in Hawaii where he remained for the rest of his life.

It is little known that in actual fact Bartlett commissioned Watanabe to publish his 38 scenes, rather than being an artist working for Watanabe, and from his base in Hawaii Bartlett held a very tight reign over Watanabe's production of each scene, requesting numerous fine colour changes for each scene. Because each of the scenes were commissioned and thus paid for by Bartlett , he maintained ownership of all the woodblocks, which were shipped back to Hawaii after each edition and are still kept in Hawaii even to this day.

The artworks displayed on JAODB are not for sale.

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.