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| Artist: | Tokuriki Tomikichiro — 徳力富吉郎 |
| Title: | Sanju-san-gen Temple — 三十三間堂 |
| Series: | Kyoto in Autumn — 秋の京都 |
| Date of first edition?: | 1942 |
| Publisher (first edition)?: | Uchida Bijutsu Shoten — 内田 |
| Publisher (this edition)?: | Uchida Bijutsu Shoten — 内田 |
| Medium (first edition): | Woodblock |
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Medium (this edition): | Woodblock |
| Format (first edition): | Fan
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| Format (this edition): | Fan |
| DB artwork code: | 48149 |
| Notes (first edition)?: |
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| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Scene (2) Sanju-san-gen Do.
Series Title: Kyoto in the Autumn - A Set of 6 Woodblock Prints
Description
Album "Aki no Kyoto" (Kyoto in the Autumn). A set of 6 woodblock prints plus the album cover woodblock print. Each work is printed in Ogi-fan shaped window on Japanese washi paper with decorative motifs in"mica".
(1) Kiyomizu Temple in Autumn Colors. (2) Sanju-san-gen Do. (3) Takao in the Red Autumn Leaves. (4) The Full Moon over To-ji Temple. (5) Tsuten Bridge in the Red Autumn Leaves. (6) Bush clovers of Todai Temple.
Signature
'Tomikichiro' on each print.
Seal
Artist's red seal on each print.
Dated
1942.
Publisher
Uchida Motoichi (The founder of Uchida Publishing Co.).
Technique
Woodblock print
Width Item
18.3 inches = 46.5 cm
Height Item
10.6 inches = 27.0 cm
Depth Item
0.2 inches = 0.5 cm
Width Mat
18.7 inches = 47.5 cm
Height Mat
10.8 inches = 27.5 cm |
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| Series Information: |
| A six-scene fan print series. Six-print series for the other three seasons also exist. |
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| Artist Bio: |
TOKURIKI TOMIKICHIRO(1902 - 1999) - Tokuriki was born and raised in Kyotoand was influenced by the local art scene from childhood. He stayed in Kyotofor his entire career and was a leader of the Kyoto Sosaku Hanga. He graduated from the KyotoCity School of Fine Arts and Crafts and after that from the KyotoCity Specialist School of Painting. While he began his career in the painting field, he found his true calling in the woodblock print field and was enthusiastic about the reemergence of woodblock prints in 20th century Japanese art. He was influential in the development of new artists later in his career and set up his own publishing company called Matsukyu.
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