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47987

Inari Shrine at Oji

Inari Shrine at Oji
by Shotei Takahashi (1871-1945) Hiroaki

Original caretaker of this artwork: Yahoo Auction, Japan

The artworks displayed on JAODB are not for sale.

Artist: Shotei Takahashi (1871-1945) Hiroaki 松亭高橋、弘明
Title: Inari Shrine at Oji
Series: Pillar Prints 短皿
Date of first edition?1920 (circa)
Publisher (first edition)?Watanabe Shozaburo 渡辺
Publisher (this edition)?Watanabe Shozaburo 渡辺
Medium (first edition): Woodblock
Medium (this edition): Woodblock
Format (first edition): Ko-tanzaku
Format (this edition): Ko-tanzaku
DB artwork code: 47987
Notes (first edition)?
Artist: Takahashi Shotei
Title: Inari Shrine at Oji
Medium: Original Japanese Woodblock Print
Series Title: Pillar Series
Edition: First and only.
Date: 1923
Publisher: S. Watanabe
Reference No: Shotei.com (P-22)
Size: 14 -3/4 x 3 -1/4 "

Notes: Much stronger colors then example shown in Shotei.com (P-22). The print, "Oji-nari" (Folk #198), displays many similarities with this pre-quake 1920's first edition version.

Uncatalogued in both major publications - Folk Museum and Collected Print Works of Shotei Takahashi.

A scarce pre-earthquake design.
Notes (this edition)?
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:

Note that someone has stamped a "Kobayashi Kiyochika" seal on this print. I've seen this particular seal on quite a few prints over the years, and they are always prints by artists other than Kiyochika.

小林清親 (No!) 短冊形複製木版画?

詳しい事は分かりません、サイズ約7.6×36.9、少しヤケ、スレ、シミ、シワ、角折れ等が有ります。

Artist Bio: 
Takahashi Shotei was born in Tokyo with the given name of Takahashi Katsutaro. At a young age he was trained in Nihon-ga , the traditional Japanese painting style by his uncle Matsumoto Fuko, and beginning around 1907 Shotei started designing for the Watanabe Color Print Company. Shotei was among the first designers to be recruited into Watanabe's stable of artists, which would later expand to include Goyo, Shinsui, Hasui, Kasamatsu, Koson and Koitsu among others. Many Watanabe prints were designed for export, primarily to North America, where the demand for all things Japanese was high in the early 20th century.

By 1923 Shotei had produced nearly 500 designs for Watanabe, when Tokyo was hit by the Great Kanto earthquake -- the worst recorded natural catastrophe in the history of Japan. The fires ignited by the earthquake raged for three days, and Watanabe's print shop and all the woodblocks created by Shotei and the other early shin hanga artists, were destroyed.

After the earthquake Shotei created another 250 prints mostly depicting scenic Japanese landscapes in the shin hanga style he had helped to define. He continued to work for Watanabe, but also worked with the publishers Fusui Gabo and Shobido Tanaka, where he had more control over the finished print than was possible with Watanabe.

Shotei used a variety of names, signatures and seals during his lifetime. From 1907 until 1922 he used the name Shotei, and after 1922 Hiroaki and Komei.

The artworks displayed on JAODB are not for sale.

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.