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Notes (1st edition)TORII KOTONDO Tipsy Date: 1932 (confirmed. Month most likely April: see DB entry #47931). 40.7 x 25.4 cm Limited edition of only 100 prints, after which the blocks were destroyed. Scene number 3 among 12 Ikeda published scenes.
Publisher (this edition): Ikeda Ikeda Ikeda Ikeda Ikeda Ikeda Ikeda
Date of this item: 1932 1932 1932 1932
Notes (this edition)
These notes were written by the original owner/seller/auctioner of the item and may be inaccurate.:
????? ??? ???

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????? ?44.7cm×?29.5cm(????????)
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This print appears to have the dating of "7.4.22" on the verso, which would be 22nd of April, Showa 1932 (it's not likely to be Heisei 7). If so, this would be further confirmation of the dating of 1932 for this scene. TITLE: Tipsy
DATE:1932
SIZE:18 x 11.75
MEDIUM:Woodblock Print
PUBLISHER:Ikeda
CONDITION:Fine impression, color and condition.
KOTONDO
Horoyoi (Tipsy), published by Ikeda, numbered on verso 8/100, c.1929
Fine impression and condition, tape stain on verso
48.2x29.5cm.
TORII KOTONDO
(1900-1976)

A Tipsy Geisha 1932
woodblock
40.5 x 25.5 cm (image), 48.0 x 29.5 cm (sheet)
signed and stamped with artist's seal within image
edition: First edition, Ikeda Publishers

Provenance:
Mr Edwin A. Dearn, Japan, c1930s
Thence by descent, private collection, Sydney


No edition number on the verso. Among a set of 10 Kotondo/Ikeda prints with no edition numbers.

Later on scholten-japanese-art.com:

Torii Kotondo, 1900-1976
Tipsy
(Horoyoi)

mica ground, signed Kotondo with artist's seal Torii, with publisher's limited edition paper seal on verso, Ikeda, Horoyoi, San-kai, dai - go, (published by Ikeda, Tipsy, 3rd print, not numbered), ca. 1932
dai oban tate-e 18 7/8 by 11 5/8 in., 47.8 by 29.5 cm
References:
Gallery Beniya, Torii Kotondo, 1995, p. 21, no. 12
Reigle Newland, Amy, and Hamanaka Shinji, The Female Image, 2000, p. 135, pl. 182 (with suggested title 'Sakezuki' or 'Sake Cup')
No.235 JPWA Auction.

???
As you might know, this original print should have been published around
Showa 7th (1932) with so-called Kotondo seal on its verso. As this print,
however, had no Kotondo seal nor edition number on its verso. Its condition
was pretty good except a few mica comings off and visible stains on down
margin and left up corner. Please refer to the atacched images.
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