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| Artist: | Oda Kazuma (1882-1956) — 織田一麿 |
| Title: | View of the Sumida River from Matsuchiyama Hill |
| Series: | Views of Tokyo — 東京風景 |
| Date of first edition?: | 1916 |
| Publisher (first edition)?: | Not Set |
| Publisher (this edition)?: | Not Set |
| Medium (first edition): | Lithograph |
| Medium (this edition): | Lithograph |
| Format (first edition): | Large Oban
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| Format (this edition): | Large Oban |
| DB artwork code: | 45773 |
| Notes (first edition)?: |
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| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
View of the Sumida River from Matsuchiyama Hill from "Views of Tokyo"
1916
lithograph on paper, 28.0×41.5 cm
P00047-006
The National Museum of Modern Art, Tokyo
Inscriptions
inscribed(p), signed and dated l.r. |
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| Artist Bio: |
ODA KAZUMA
Many artists of the first half of the 20th century drifted back and forth between the two poles of sôsaku-hanga and shin-hanga. Oda Kazuma was an artist who was able to produce notable works by both means; that is, with a publisher or independently. Born in Tokyo, he studied Western-style painting with Kawamura Kiyoo (1899-1934) and lithography with Kaneko Masajirô. Kazuma worked primarily as a lithographer, but he was also an ukiyo-e enthusiast, publishing two books on the subject. He was a contributor to Hôsun ca. 1909-11, an art magazine co-founded by Ishii Hakutei (1882-1958); a founding member (and only lithographer) of Nihon Sôsaku-Hanga Kyôkai (Creative Print Society) in 1918; Yôfû Hangakai (Western Style Print Society) in 1930; and Nihon Hanga Kyôkai (Japan Print Association) in 1931. And yet, with all his sôsaku-hanga associations, in the 1920's he designed six shin-hanga type woodblock prints published by Watanabe. This print is an example of his self-carved and self-printed works. -- Scholten Gallery
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