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Yomeimon

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Yomeimon 陽明門
by Shotei Takahashi (1871-1945) Hiroaki

Original caretaker of this artwork: Ross Walker Collection (Ohmi Gallery)

The artworks displayed on JAODB are not for sale.

Artist: Shotei Takahashi (1871-1945) Hiroaki 松亭高橋、弘明
Title: Yomeimon 陽明門
Series: Famous Places in Nikko 日光名所
Date of first edition?1929
Publisher (first edition)?Fusui Gabo
Publisher (this edition)?Fusui Gabo
Medium (first edition): Woodblock
Medium (this edition): Woodblock
Format (first edition): Oban
Format (this edition): Oban
DB artwork code: 45414
Notes (first edition)?
Artist: Takahashi Hiroaki
Title: Yomeimon (also unofficially known as Yomeimon Gate In Snow)
Medium: Original Japanese Woodblock Print
Series Title: Famous Places in Nikko - (Snow, Moon, Flowers) (Setugekka)
Edition 1st State - Edition of 300
Date 1929
Publisher Fusui Gabo
Reference No The Folk Museum 313 pg. 66
Size 15 -1/2 x 10 - 1/2"

Notes: Limitation stamp of 300 on reverse.

Copyright seal of Fusui Gabo, Tokyo, in the lower right margin. The three scenes from this series are snow, moon, and flower (actually autumn) scenes.

Scarce.
Notes (this edition)?
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:

Antique Japanese Woodblock Print
Takahashi (Shotei) Hiroaki
Yomeimon Gate In Snow - 1929
Nikko Meisho Yomeimon

This image is from the Nikko Showplaces series, published by Fusui Gabo. It is a first state from an edition of 300, as indicated by the limitation stamp on the back. The paper measures about 15 1/2" by 10 1/4".

The condition is very nice, showing only some slight toning and very minor soiling, mainly evident on the back.

Artist Bio: 
Takahashi Shotei was born in Tokyo with the given name of Takahashi Katsutaro. At a young age he was trained in Nihon-ga , the traditional Japanese painting style by his uncle Matsumoto Fuko, and beginning around 1907 Shotei started designing for the Watanabe Color Print Company. Shotei was among the first designers to be recruited into Watanabe's stable of artists, which would later expand to include Goyo, Shinsui, Hasui, Kasamatsu, Koson and Koitsu among others. Many Watanabe prints were designed for export, primarily to North America, where the demand for all things Japanese was high in the early 20th century.

By 1923 Shotei had produced nearly 500 designs for Watanabe, when Tokyo was hit by the Great Kanto earthquake -- the worst recorded natural catastrophe in the history of Japan. The fires ignited by the earthquake raged for three days, and Watanabe's print shop and all the woodblocks created by Shotei and the other early shin hanga artists, were destroyed.

After the earthquake Shotei created another 250 prints mostly depicting scenic Japanese landscapes in the shin hanga style he had helped to define. He continued to work for Watanabe, but also worked with the publishers Fusui Gabo and Shobido Tanaka, where he had more control over the finished print than was possible with Watanabe.

Shotei used a variety of names, signatures and seals during his lifetime. From 1907 until 1922 he used the name Shotei, and after 1922 Hiroaki and Komei.

The artworks displayed on JAODB are not for sale.

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.