| | |
| Artist: | Binnie Paul (1967- ) |
| Title: | Haru- Spring |
| Series: | Four Seasons |
| Date of first edition?: | 2005 |
| Publisher (first edition)?: | Self |
| Publisher (this edition)?: | Self |
| Medium (first edition): | Woodblock |
| Medium (this edition): | Woodblock |
| Format (first edition): | Large Oban
|
| Format (this edition): | Large Oban |
| DB artwork code: | 43202 |
| Notes (first edition)?: |
Artist: Paul Binnie
Title: Four Seasons - Spring
Date: 2003 - 2005
Medium: Woodblock print
Width Item 13.2 inches = 33.5 cm
Height Item 19.7 inches = 50.0 cm
Width Image 11.6 inches = 29.5 cm
Height Image 17.5 inches = 44.5 cm
Notes: "Haru" ("Spring") from the series "Shiki" ("4 seasons"). This whole edition was commissioned by Bruce Tierney and Barry Stokes. The commission was placed under the condition to create a series of four most elaborate and lavish bijin prints that a skilled artist could possibly create. The creation of "Shiki" was one of the most expensive projects in modern Japanese printmaking with professional Japanese live models and frequent travels by the artist between Tokyo, London and Tennessee (U.S.A.). The whole series was started in springtime of 2003 and could be completed in 2005. 'Spring' was the last of the 4 prints released |
|
| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Numbered 7 / 100 |
|
| Artist Bio: |
Paul Binnie was born at Airthrey Castle, Scotland in 1967 and lived in Alloa, Central Scotland until 1985. He then attended Edinburgh University and Edinburgh College of Art, taking his MA (Fine Art) in 1990. From then until the spring of 1993 he lived in Paris where he worked mostly in oils and watercolours, painting figure subjects and occasional landscapes. He began to collect Japanese Woodblock Prints in the late 1980s on a summer trip to Paris, and his extended stay in France allowed him to expand his collection and his knowledge of the subject. It was this interest in Japanese Prints along with a desire to understand the methods of their production that prompted him to move in March 1993 to Tokyo. He there sought training in the techniques of block print-making. Unable to enter the Yoshida studio, his first choice for training, due to the illness of Yoshida Toshi, he was advised to contact Seki Kenji. Kenji had been the head printer at Doi-Hangaten and Binnie worked with him for several years developing his own block printing style.
|
|
