Kyoto Ninnaji Temple — 仁和寺
by Shunho - Haruyoshi

	Artist:	Shunho - Haruyoshi — 春芳
	Title:	Kyoto Ninnaji Temple — 仁和寺
	Series:
	Date of first edition?:	1950 (circa)
	Publisher (first edition)?:	Baba Nobuhiko — 馬場信彦
	Publisher (this edition)?:	Baba Nobuhiko — 馬場信彦
	Medium (first edition):	Woodblock
	Medium (this edition):	Woodblock
	Format (first edition):	Postcard
	Format (this edition):	Postcard
	DB artwork code:	40995
	Notes (first edition)?:
	Notes (this edition)?:	The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies: Thursday, 1 November 2007 JAPANESE W B PRINT SNOW CHILD SIT AT BIG TEMPLE GATE IT IS SMALL 5 3/4 X 3 3/4 INCHES BUT THE DETAIL OF THE LINES IS AMAZING . A FEW YEARS AGO I BOUGHT SOME PRINTS FROM A MAN WHO INHERITED THEM FROM HIS BROTHER WHO WORKED AT THE JAPANESE EMBASSY IN MY COUNTRY AND USED TO TRAVEL TO JAPAN. THE MAN WHO WAS THE YOUNGEST BROTHER WAS MORE THAN 70 YEARS AND TOLD ME THAT THE PRINTS WERE COLLECTED BY HIS BROTHER IN DIFFERENT TRIPS BETWEEN THE 40'S AND 50'S. I AM A BOOKSELLER BUT SOME TIMES I BUY PRINTS SO I BOUGHT SOME BOOKS FROM HIM AND I ALSO LIKED THE PRINTS VERY MUCH SO I BOUGHT THE LOT.
	Artist Bio:	Shunho was probably a publisher's pseudonym used for knock-offs of scenes by well-known artists. It has been suggested that Shunho was a pseudonym for Tsuchiya Koitsu (remember that Koitsu published quite a few prints via the publisher Baba in the 1930s). Take for example Shunho's Zojoji scene. Yes, it does look similar to Koitsu's Zojoji scene, especially the colour scheme, and it is of course possible that, after the war, when Baba re-established his business, Koitsu sold Baba some previously unpublished sketches that Baba published after Koitsu's death. However, there is ample evidence to prove, beyond a reasonable doubt, that Shunho was not Tsuchiya Koitsu or any other known artist. For example, please note that the Zojoji print is dated 昭和二十九年作 (Showa 29, or 1954), and that Tsuchiya Koitsu died in 1949. The margin text is very similar to Tsuchiya Koitsu's hand writing, but obviously he could not have written the margin text, including the date of 1954. I'm thinking here that Baba simply took advantage of Koitsu's passing and reproduced this similar scene using his own carvers and printers, including the same colour palette and hand writing style. The strongest evidence that Shunho was an in-house artist of "knock-off" reproductions for the publisher Baba can be found by searching for the artist Shunho in my JAODB database. There we can clearly see that Shunho prints are simply reproductions (fakes) of several scenes by Tsuchiya Koitsu (Zojoji, Miyajima in Snow, etc.) and Kawase Hasui (Night Scene at Soemoncho).