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Pine Beach of Miho

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Pine Beach of Miho
by Bartlett Charles

Original caretaker of this artwork: artelino - Japanese prints  Art auctions of Japanese and Chinese prints

The artworks displayed on JAODB are not for sale.

Artist: Bartlett Charles
Title: Pine Beach of Miho
Series: 
Date of first edition?1916
Publisher (first edition)?Watanabe 渡辺
Publisher (this edition)?Watanabe 渡辺
Medium (first edition): Woodblock
Medium (this edition): Woodblock
Format (first edition): Oban
Format (this edition): Oban
DB artwork code: 40954
Notes (first edition)?
Notes (this edition)?
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:


Title Pine Beach of Miho
Artist Charles William Bartlett 1860-1940
Signature "Charles w. Bartlett" signed in brownish-red pencil on left bottom margin.
Seal Artist's seal (CWB) and round "C".
Dated 1916.
Publisher Watanabe
Medium/Technique Woodblock print.
Impression Excellent - very good … Printing in 1920s.
Colors Good … Somewhat faded. Fine "bokashi".
Condition Very good … Dark toning, three tears (1/2 inch long) professionally repaired on the margins, two brown spots on the upper area, margins slightly soiled.
Description "Miono-Matsubara". From "The Second Series; Japan" which included 6 prints depicting famous sceneries of Japan. "The First Series" featured various sites in India. He was very accomplished water colorist and preferred vivid, pastel colors. This design with the silhouette of Mt. Fuji in fine gradations and Ukiyo-e style clouds particularly shows the influence of Hiroshige.
Note Red Watanabe 6mm round seal (pre-Kanto Earthquake to 1924-26).
Format Oban yoko-e
Width Item 14.8 inches = 37.5 cm
Height Item 9.8 inches = 25.0 cm
Width Image 14.0 inches = 35.5 cm
Height Image 8.9 inches = 22.5 cm

Artist Bio: 
Charles William Bartlett (1860-1940) was one of the first artists to work with the publisher Watanabe Shozaburo. Bartlett studied at the Royal Academy in London and at Academie Julian in Paris. Until his travels to Japan, Ceylon, Indonesia, and China in 1913, Bartlett worked primarily as a landscape and genre painter. In 1915 he met famous print publisher Watanabe, with whom he collaborated on the publication of a number of "shin hanga" style colour woodblock prints during the next decade, using Watanabe's studio to carve and create his own woodblocks. Bartlett designed 38 woodblock prints for Watanabe, beginning in 1916 and lasting through 1925. Twenty-two of these prints were produced within the first year, many with the date 1916 carved into the key block. The first series of prints consisted of six Indian scenes plus a cover print of the Taj Mahal. This was followed by a series of six Japanese scenes. Many of Bartlett's prints and etchings were scenes from his travels through Southeast Asia, China, and later Hawaii. After 1917, Bartlett settled in Hawaii where he remained for the rest of his life.

It is little known that in actual fact Bartlett commissioned Watanabe to publish his 38 scenes, rather than being an artist working for Watanabe, and from his base in Hawaii Bartlett held a very tight reign over Watanabe's production of each scene, requesting numerous fine colour changes for each scene. Because each of the scenes were commissioned and thus paid for by Bartlett , he maintained ownership of all the woodblocks, which were shipped back to Hawaii after each edition and are still kept in Hawaii even to this day.

The artworks displayed on JAODB are not for sale.

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.