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39742

39743

39744

Hatsumode

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Hatsumode 初詣
by Tatsumi Shimura (1907-1980)

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Artist: Tatsumi Shimura (1907-1980) 志村立美
Title: Hatsumode 初詣
Series: 
Date 1st edition?Not set
Publisher 1st edition?Yuyudo 悠々洞出
Publisher (this edition)?Yuyudo 悠々洞出
Medium (1st edition): Woodblock
Medium (this edition): Woodblock
Format (1st edition): Double Oban
Format (this edition): Double Oban
DB artwork code: 39743
Notes (1st edition)?
Notes (this edition)?The following information was taken from the original web listing of this artwork. Often written by non-experts, there may be inaccuracies:

Thursday, 25 January 2007

TATSUMI SHIMURA - Limited Edition

"Hatsumode" (A New Year's visit to a Shinto shrine)"Hatsumode" (A New Year's visit to a Shinto shrine) this extremely rare woodblock by Tatsumi Shimura (1907-1980). Limited Edition, print 363 of 450. Tatsumi said about this print, "The morning sun shines on a pillar of a washhand stand in shrine. We can draw a Maiko(young Geisha) really in various ways. I sketch it very a lot, and I took a photograph, but it is very difficult to draw Maiko (young Geisha). It is self-justification, but painters of east of Japan ( Tokyo) cannot draw a woman of Kyoto . In addition, painters of west of Japan (Kansai - Kyoto or Osaka) cannot draw an Edo-style smart woman . Environmental difference is obvious so as to be terrible." I think this his words is very interesting.

Rarely seen in Japan and nearly impossible to find outside of Japan as Tatsumi prints are extremely rare, highly cherished in Japan and seldom sold. I do not think this print has ever been seen outside of Japan. Tatsumi specialized in bijin ga - prints of beautiful women. He is most famous for his series "Five Figures of Modern Beauties" (Gendai Bijin Fuzoku Gotai).

This limited edition print is numbered 363 of 450. Carver; Torazo Matsuda (very famous carver in Japan), Printer; Takeshi Uesugi, and Publisher; Yuyudo. Red seal appears" Sekiha no In" . Size is large: paper size is 19 and 1/4 inches by 16 and 1/4 inches. Colors are vivid, vibrant and in layers which makes them appear soft. The lines are crisp. Absolutely stunning original handmade Japanese woodblock print. Perfect in every respect. Pinhead size ink drop is noted in top margin as seen in picture.

Artist Bio: Tatsumi Shimura is known for designing several striking bijin-ga prints towards the end of the Shin Hanga movement. Born in Takasaki, Gunma, Shimura's real name was Sentaro. In 1921, he began studying art with Yamakawa Saiho, a well-known illustrator. Three years later, he became an apprentice of Saiho's son, Yamakawa Shuho, who was also a bijin-ga artist. Shimura exhibited paintings with Kyodotai in 1927 and with Seikinkai in 1938. He became known for his paintings of beautiful women with long eyelashes and blurred pupils. As a young man, Tatsumi also worked as an illustrator for newspapers, serialized novels, and magazines, notably for the Japanese magazine "Woman's world" (Fujokai). His most famous illustrations were for the novel Tange Sazen by Hayashi Fubo. From 1948 to 1952, Shimura designed several woodblock prints of beauties that were published by Kato Junji. Later he collaborated with the Japanese Institute of Prints (Nihon Hanga Kenkyusho) to create a series called "Five figures of modern beauties" (Gendai bijin fuzoku gotai). These prints were first published in 1953 in an edition size of 200 and contain a thin red rectangular Gihachiro supervisor seal (Okuyama Gihachiro was the founder of the publisher). The series was later reprinted using recarved blocks in the 1960s/70s/80s in other edition sizes of 100, 200, and 300, plus an open (unlimited) edition (see here for further details). They depict Japanese women in traditionally feminine poses and attire. The finely detailed figures are juxtaposed against very simple backgrounds. Tatsumi later published various other gorgeous bijin-ga in double-oban size via the publisher Momose in the 1980s.
志村立美(しむら たつみ、1907年2月17日 - 1980年5月4日)は、日本画家、挿絵画家・ 美人画家である。群馬県高崎市生まれ。本名 仙太郎。群馬県高崎市生まれ。 神奈川県立神奈川工業高等学校図案科を中退して、1924年(大正13年)山川秀峰に入門美人画を修める。 当時、山川秀峰は鏑木清方と伊藤深 水と共に、挿絵での活動もしていた。 山川秀峰の推薦を受け、立美も挿絵での活動を行うようになる。肉筆画も鏑木清方主宰の郷土会、師である山川秀峰、伊東深水らの主宰する青衿会等へ出品をする。 その後主婦の友・婦女 界などの雑誌口絵などでその名を知られるようになり、林不忘原作の丹下左膳の挿絵などで岩田専太郎と並ぶ人気画家となる。晩年、挿絵での活動を休止し、本来の立美の原点である日本画、美人画への回帰をしていく。 出版美術家連 盟会長などをつとめ、1976年(昭和51年)作品集『美人百態』で日本作家クラブ賞を受賞する。「現代女性十二態 花吹雪」 木版 東京国立近代美術館所蔵

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.