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| Artist: | Narazaki Eisho (Fuyo) — 楢崎栄昭、扶陽 |
| Title: | Traveler on Moonlit Shore |
| Series: | |
| Date of first edition?: | Not set |
| Publisher (first edition)?: | Not Set |
| Publisher (this edition)?: | Not Set |
| Medium (first edition): | Woodblock |
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Medium (this edition): | Woodblock |
| Format (first edition): | Not Set
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| Format (this edition): | Not Set |
| DB artwork code: | 37057 |
| Notes (first edition)?: |
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| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Artist: Fuyo, 1894-1936
Title: Traveler on Moonlit Shore
Date: 20th century
Medium: woodblock
Dimensions: 14 1/2 x 6 1/2 inches
Condition: Traces of residue from prior mount at reverse top corners; faint stain to bottom left corner
Comments: This artist is also known as Narazaki Eisho |
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| Artist Bio: |
Narazaki's works were published via Watanabe. According to Merritt (and likely sourced from the ukiyo-e scholar Fujikake Shizuya, 1938), Narazaki Eisho used the art names Fuyo from 1916-1922, and Eisho from 1922-1936.
Note that all of the mitsugiri prints that I have seen are signed "Fuyo" 扶陽, not Eisho, so I suspect the mitsugiri prints are his oldest works (and indeed they do look older than his oban-sized print). Although it has been suggested that Narazaki also published under the pseudonyms of Kyokudo and Shinjo, I have seen no supporting evidence. Indeed, Watanabe's 1935/36 catalogue list all three as separate artists.
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