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Junks in Inatori Bay, Izu

Junks in Inatori Bay, Izu
by Shotei Takahashi (1871-1945) Hiroaki

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Artist: Shotei Takahashi (1871-1945) Hiroaki 松亭高橋、弘明
Title: Junks in Inatori Bay, Izu
Series: 
Date of first edition?Not set
Publisher (first edition)?Watanabe 渡辺
Publisher (this edition)?Watanabe 渡辺
Medium (first edition): Woodblock
Medium (this edition): Woodblock
Format (first edition): Oban
Format (this edition): Oban
DB artwork code: 36474
Notes (first edition)?
Notes (this edition)?
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:

Saturday, 28 July 2007

Junks by Moonlight

Artist: Hiroaki (Shotei)
Format: Oban yoko-e: 9.75" x 14.5" approx

Subject: Junks in Inatori Bay by Hiroaki Takahashi, 1871-1945, who designed woodblock prints for the famous publisher Watanabe - in all about 500 prints, before the great earthquake in September 1923. All blocks were destroyed by the fires in the aftermath of the earthquake. Afterwards he resumed his work and created another 250 prints. Hiroaki is said to have been killed by the atomic bomb when he visited his daughter in Hiroshima in August 1945.

Publisher: Watanabe

Date: 1926

Condition: Full size. Fine state.

Colour: Very fine

Impression: Very fine

Artist Bio: 
Takahashi Shotei was born in Tokyo with the given name of Takahashi Katsutaro. At a young age he was trained in Nihon-ga , the traditional Japanese painting style by his uncle Matsumoto Fuko, and beginning around 1907 Shotei started designing for the Watanabe Color Print Company. Shotei was among the first designers to be recruited into Watanabe's stable of artists, which would later expand to include Goyo, Shinsui, Hasui, Kasamatsu, Koson and Koitsu among others. Many Watanabe prints were designed for export, primarily to North America, where the demand for all things Japanese was high in the early 20th century.

By 1923 Shotei had produced nearly 500 designs for Watanabe, when Tokyo was hit by the Great Kanto earthquake -- the worst recorded natural catastrophe in the history of Japan. The fires ignited by the earthquake raged for three days, and Watanabe's print shop and all the woodblocks created by Shotei and the other early shin hanga artists, were destroyed.

After the earthquake Shotei created another 250 prints mostly depicting scenic Japanese landscapes in the shin hanga style he had helped to define. He continued to work for Watanabe, but also worked with the publishers Fusui Gabo and Shobido Tanaka, where he had more control over the finished print than was possible with Watanabe.

Shotei used a variety of names, signatures and seals during his lifetime. From 1907 until 1922 he used the name Shotei, and after 1922 Hiroaki and Komei.

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Site copyright: Dr Ross F. Walker. Copyright of the displayed artwork: the original owner. The information contained on this website is provided as an educational resource to scholars and collectors of Japanese art. JAODB would like to thank the caretakers of these art items for their contribution to this database. The items displayed here are not being offered for sale. Unless otherwise indicated the displayed item is not in the ownership of JAODB or Ross Walker.