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| Artist: | Oda Kazuma (1882-1956) — 織田一麿 |
| Title: | The Great Bridge at Matsue |
| Series: | |
| Date of first edition?: | 1924 |
| Publisher (first edition)?: | Watanabe — 渡辺 |
| Publisher (this edition)?: | Watanabe — 渡辺 |
| Medium (first edition): | Woodblock |
| Medium (this edition): | Woodblock |
| Format (first edition): | Oban
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| Format (this edition): | Oban |
| DB artwork code: | 35784 |
| Notes (first edition)?: |
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| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Wednesday, 10 January 2007
the 2nd from the collection is a very nice woodblock by kazuma oda that is relatively scarce.. It is the great bridge at matsue,, excellent condition..chuban size and great colors with exceptional bleedthrough on the back.. All the prints from this collection were never framed and some on the original paper..this is a very nice print..
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| Artist Bio: |
ODA KAZUMA
Many artists of the first half of the 20th century drifted back and forth between the two poles of sôsaku-hanga and shin-hanga. Oda Kazuma was an artist who was able to produce notable works by both means; that is, with a publisher or independently. Born in Tokyo, he studied Western-style painting with Kawamura Kiyoo (1899-1934) and lithography with Kaneko Masajirô. Kazuma worked primarily as a lithographer, but he was also an ukiyo-e enthusiast, publishing two books on the subject. He was a contributor to Hôsun ca. 1909-11, an art magazine co-founded by Ishii Hakutei (1882-1958); a founding member (and only lithographer) of Nihon Sôsaku-Hanga Kyôkai (Creative Print Society) in 1918; Yôfû Hangakai (Western Style Print Society) in 1930; and Nihon Hanga Kyôkai (Japan Print Association) in 1931. And yet, with all his sôsaku-hanga associations, in the 1920's he designed six shin-hanga type woodblock prints published by Watanabe. This print is an example of his self-carved and self-printed works. -- Scholten Gallery
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