| | |
| Artist: | Hao Boyi (born 1938) |
| Title: | Early Winter in the Forest |
| Series: | |
| Date of first edition?: | 1989 |
| Publisher (first edition)?: | Self |
| Publisher (this edition)?: | Self |
| Medium (first edition): | Woodblock |
| Medium (this edition): | Woodblock |
| Format (first edition): | Not Set
|
| Format (this edition): | Not Set |
| DB artwork code: | 34998 |
| Notes (first edition)?: |
|
| Notes (this edition)?: |
The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Title Early Winter in the Forest Artist Hao Boyi born 1938
Signature signed by the artist Seal artist's seal Dated 1989 Technique/Medium Woodcut Condition very good … upper edge creased Rating 2 = very good Edition Size 50 Numbered 21 Description "Early Winter in the Forest" Winter is coming, and the forest is covered with silver frost. Two red-crowned cranes (grus japonensis) are in the middle of the icy forest. A couple of grus japonensis stays together for the whole lifetime. Therefore they are also a symbol of love. The main habitat of the grus japanonensis are the Northern marshlands in China. They are on the list of endangered species. Note The image does not show full margins and was not taken from the individual print. Because of the minor differences in one edition, we use the stock images provided by our Chinese consignee. Width 22.0 inches = 56.0 cm Height 19.9 inches = 50.5 cm Width of Image 18.1 inches = 46.0 cm Height of Image 17.9 inches = 45.5 cm |
|
| Artist Bio: |
Hao, Boyi was born in 1938 in Shangdong Province. During the cultural revolution, he was dispatched to the northern deserted land. Facing the harsh and tough new environment, he accidentally found arts as his refuge. He cut wood to be his block and painted the beautiful sceneries of the black deserted land by his graver devoutly and passionately. As time goes by, Hao Boyi's woodcuts were no longer just objective recordings of his environment. Above the visual representations, they also show the unity of nature and human as well as the devotion for life. His style is soft, fresh, elegant and subtle. His artworks are simple but not empty. They show unlimited flavors and vitality of the north land to its full extent quietly; the concrete and the abstract blend harmoniously and peacefully.
|
|