Fuji from the mouth of a river at Numazu — Numazu Kako no Fuji
by Tokuriki Tomikichiro

	Artist:	Tokuriki Tomikichiro — 徳力富吉郎
	Title:	Fuji from the mouth of a river at Numazu — Numazu Kako no Fuji
	Series:	36 Views of Mt Fuji
	Date of first edition?:	Not set
	Publisher (first edition)?:	Uchida — 内田
	Publisher (this edition)?:	Uchida — 内田
	Medium (first edition):	Woodblock
	Medium (this edition):	Woodblock
	Format (first edition):	Oban
	Format (this edition):	Oban
	DB artwork code:	33667
	Notes (first edition)?:	See here for full details of this remarkable series by Tokuriki.
	Notes (this edition)?:	The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies: This print was created by Tomikichiro Tokuriki (b.1902 in Kiyoto) the great artist of shin-hanga in landscape prints. The prints of this artist could be in same line with the prints of Hasui, Shotei or Koitsu. Here is one of his great prints “Numazu Kako no Fuji” (Fuji from the mouth of a river at Numazu) from the series “Fuji sanju-rokkei” (Thirty-six Views of Fuji). Was published and printed by early Uchida in 30th, print bears the artist signature and seals in the image. Bears also early Uchida publisher seal on the bottom of right margin. Also signed by the artist on right margin and sealed by early Tomikichiro “kiwame” seal. Oban size 16” by 11 " with full margins. Very early and rare Tomikichiro view with Mount Fuji. Fine impression, excellent color, bleedthrough and registration - great condition.
	Artist Bio:	TOKURIKI TOMIKICHIRO(1902 - 1999) - Tokuriki was born and raised in Kyotoand was influenced by the local art scene from childhood. He stayed in Kyotofor his entire career and was a leader of the Kyoto Sosaku Hanga. He graduated from the KyotoCity School of Fine Arts and Crafts and after that from the KyotoCity Specialist School of Painting. While he began his career in the painting field, he found his true calling in the woodblock print field and was enthusiastic about the reemergence of woodblock prints in 20th century Japanese art. He was influential in the development of new artists later in his career and set up his own publishing company called Matsukyu.