| | |
| Artist: | Kawano Kaoru (1916-1965) — 河野薫 |
| Title: | Dancing Figure (Eshima)- LE |
| Series: | |
| Date of first edition?: | Not set |
| Publisher (first edition)?: | Self |
| Publisher (this edition)?: | Self |
| Medium (first edition): | Woodblock |
|
Medium (this edition): | Woodblock |
| Format (first edition): | Double Oban
|
| Format (this edition): | Double Oban |
| DB artwork code: | 33462 |
| Notes (first edition)?: |
|
| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
KAORU KAWANO "DANCING FIGURE (ESHIMA)" original woodblock woodcut print signed by the artist with seal. Image size 14 1/2inches x 23 3/4 inches. Provenance: KYOTO, Japan "Red Latern" Shop purchased 1989. Excellent condition. Very elegeant figure. Beautiful image.The condition is excellent, there are no tears or creases, stains, foxing, matte burn, etc.
I can see the following: On the image lower left, an orange seal and below it a signature "Kaoru Kawano" in script.
In lower margin from left to right: Two Japanese characters, in block letters DANCING FIGURE (ESHIMA) KAURU KAWANO.The back of the print has in one lower corner a 15 mm diameter circle with two vertical lines followed by what looks like a Y (I I Y)) with a horizontal line across the apex of the Y. |
|
| Artist Bio: |
Kaoru Kawano was a very popular artist, known for his distinctively styled depictions of figures, especially children. He uses the woodgrain patterns to render the textures and the mood to his works. Double-oban-sized prints are almost always limited-edition lifetime strikes that are pencil-signed, editioned, and titled by Kawano himself. There are rare later editions that have stencilled titles, which I believe are posthumous strikes. Large-oban-sized scenes with a pencil-signed signature (usually within the printed area) will be lifetime editions signed by the artist, while unsigned prints with a black round seal on the verso will be posthumous strikes.
|
|