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| Artist: | Tokuriki Tomikichiro — 徳力富吉郎 |
| Title: | Kintai Bashi |
| Series: | |
| Date of first edition?: | Not set |
| Publisher (first edition)?: | Not Set |
| Publisher (this edition)?: | Not Set |
| Medium (first edition): | Woodblock |
| Medium (this edition): | Woodblock |
| Format (first edition): | Oban
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| Format (this edition): | Oban |
| DB artwork code: | 33311 |
| Notes (first edition)?: |
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| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
Tomikichiro Tokuriki designed woodblock prints for two distinct genre: shin hanga and sosaku hanga. Shin hanga are very representative and tend to deal with traditional Japanese settings and costumes whereas sosaku hanga are more impressionistic making no pretense of photorealism.
This print, one of a number that I recently acquired, is pure shin hanga, a pretty evening bridge scene. It is signed and number 53 0f an edition of 300 and measures 9.25"x14.25" (image size).
The print is still in what appears to be its original presentation folder and is in pristine condition.
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| Artist Bio: |
TOKURIKI TOMIKICHIRO(1902 - 1999) - Tokuriki was born and raised in Kyotoand was influenced by the local art scene from childhood. He stayed in Kyotofor his entire career and was a leader of the Kyoto Sosaku Hanga. He graduated from the KyotoCity School of Fine Arts and Crafts and after that from the KyotoCity Specialist School of Painting. While he began his career in the painting field, he found his true calling in the woodblock print field and was enthusiastic about the reemergence of woodblock prints in 20th century Japanese art. He was influential in the development of new artists later in his career and set up his own publishing company called Matsukyu.
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