| | |
| Artist: | Asano Takeji — 浅野竹二 |
| Title: | Early Spring in Fushimi. Kyoto |
| Series: | |
| Date of first edition?: | 1953 |
| Publisher (first edition)?: | Unsodo — 芸艸堂 |
| Publisher (this edition)?: | Unsodo — 芸艸堂 |
| Medium (first edition): | Woodblock |
| Medium (this edition): | Woodblock |
| Format (first edition): | Not Set
|
| Format (this edition): | Not Set |
| DB artwork code: | 32388 |
| Notes (first edition)?: |
|
| Notes (this edition)?: |
| The following information was taken from the original web listing of this artwork. Note that there may be some inaccuracies:
THIS ORIGINAL FIRST EDITION WOODBLOCK PRINT CONTAINS 1) MARGIN DATING, 2) UNSODO WATERMARK, 3) TAKEJI ASANO SIGNATURE. PLEASE READ ON FOR DETAILS. This Japanese woodblock print is titled in English “Early Spring in Fushimi. Kyoto." You can’t see detail on the seals, but the Unsodo publisher’s seal matches that used beginning approximately 1950. The printer’s seal appears to be Shinmi (Niimi), but we are unsure of the carver. Most importantly, there are six characters in the lower left margin that indicate dating, placing this print before 1960. We understand Takeji Asano began his association with Unsodo in 1949. This print also contains the Unsodo watermark in its lower left corner. PHOTO 1 shows the full print (15 ¾“ x 10 ½“), which is attached to a backing at 2 points on its right side. The backside of the backing has a sticker reading, “Original Unso-do woodcut print, Printed by hand from original hand engraved wooden blocks. Imported by E&A Imports, Importers of Distinctive Oriental Art, P.O. Box 207, Aurora, Colorado (no zip code).” PHOTO 2 attempts to show you the seals and margin dating. PHOTO 3 attempts to show you Asano’s signature, which is not readable here but matches exactly every other Asano signature we’ve seen. PHOTO 4 shows you the bleed through. CONDITION: we find no condition flaws on the print. The backing has 2 pieces of tape and some edge tears and yellowing.
|
|
| Artist Bio: |
Asano Takeji was born in Kyoto in 1900 and studied art in his youth. He graduated from the Kyoto City School of Fine Arts in 1919 and subsequently from the Kyoto City Specialist School of Painting in 1923. One of his early teachers was the artist and printmaker Tsuchida Bakusen, with whom he studied Japanese-style painting. Asano helped to organise the Kyoto Creative Print Society (Kyoto Sosaku-Hanga Kyokai) in 1929.
In 1930, Asano contributed several designs to a series of prints titled "Creative Prints of Twelve Months in new Kyoto" (Sosaku-hanga shin Kyoto junikagetsu). These prints were published by Uchida. The other artists contributing to this series were Benji Asada and Tomikichiro Tokuriki, also members of the Kyoto Creative Print Society. Asano's work as a shin hanga print designer continued throughout the 1930's, but along the way he learned the skills of carving and printing. This enabled him to create his own self-carved and self-printed series of landscape prints titled "Noted Views in the Kyoto-Osaka Area" (Kinki meisho fukei) in 1947.
During the 1950's, Asano designed numerous landscape prints for the publisher Unsodo. These popular landscape prints are still being reprinted today. Original Unsodo prints have the Japanese date printed in the margin, while the modern reprints lack the date. Inspired by the encouragement of the Lithuanian-American social realism artist Ben Shahn, who once visited him in his studio and remained his friend, Asano established a freer artistic style often featuring animals in bold colours, later in his career. Asano continued to work as a printmaker during the 1970's and 80's. These late prints were simple and often humorous, signed with the letters T.A. and the date.
This information has been excerpted from various web sources and from Merritt and Yamada's Guide to Modern Japanese Woodblock Prints: 1900-1975.
浅野 竹二（あさの たけじ、明治33年（1900年）10月24日-平成10年（1998年）2月10日）
京都の日本画家、版画家。京都市立絵画専門学校で日本画を専攻、途中油絵に手をそめましたが、再び日本画に復帰、土田麦僊の率いる「山南塾」に入塾し、国画創作協会展に出品するなど日本画家として活躍しました。 |
|
